Introduction: The Minotaur
  Arthur Evans & the Excavation of Knossos
  The Palace
 
West Wing: Central Staircase & Cult Rooms
West Magazines
Piano Nobile and Propylaeum
Grand Staircase & Hall of the Double Axes
Queen's Apartments
Shrine of the Double Axes
Industrial Quarter
North Wing
Theatral Area & Royal Road

 

Sir Arthur Evans

Contrary to popular opinion, Arthur Evans did not ‘discover’ Knossos nor the Minoan civilization—although he did give it its name. A number of travellers had already identified the ruins just inland from Heraklion as the site of ancient Knossos and the Labyrinth from Classical descriptions. Trial excavations were undertaken there in 1878 by the aptly named Minos Kalokairinos who came from a wealthy family of Heraklion merchants. He uncovered painted walls and pottery similar to that unearthed by Schliemann at Mycenae but the local authorities prevented any further digging. They feared that the finds would be expropriated by the Turks (who still ruled Crete) and taken to Istanbul. But in 1894 he showed his finds to Arthur Evans who had come to the island in search of information about the strange inscriptions he had seen on tablets in Oxford and Athens. As it turned out, these were written in the early Greek Linear B script and Kalokairinos was able to show him more examples along with other material excavated at Knossos. After seeing the site for himself, Evans was determined to dig there. He even had a name for the civilization whose remains he expected to find. He called it ‘Minoan’ after the legendary king of Crete and spent the rest of his life trying to define it.

Arthur Evans was born in 1851 in Hertfordshire England, the son of Sir John Evans, one of the fathers of prehistoric archaeology, and was brought up among archaeologists and antiquarians. He possessed an unusual amount of toughness and discipline, having served as war correspondent for the Manchester Guardian in Bosnia during the 1870’s. While in London in 1878, he saw an exhibition of Schliemann’s material from Troy and visited him in Athens five years later. A distinguished scholar, he was curator of the Ashmolean Museum from 1884 to 1908 and became extraordinary professor of prehistoric archaeology at Oxford in 1909. He visited Crete for the first time in 1894 where he met with Minos Kalokairinos and visited the site of Knossos. Three years later he purchased the land on which the site of Knossos was located and spent the rest of his life excavating its remains and interpreting them.

Aerial View of Knossos from the South

Evan’s Excavations at Knossos

The site stands on a knoll between the confluence of two streams and is located about five miles (8 kilometres) inland from Heraklion on Crete’s northern coast.

Excavations did not begin until the spring of 1900— two years after Crete gained her independence from the Ottoman Empire. Evans started work in the area investigated by Kalokairinos 20 years before and immediately came upon the remains of what he described as the ‘Throne Room of Minos’. Walls with painted frescoes appeared mere inches below the surface—apparently undisturbed for over 3000 years. They survived to a height of about two metres and were lined with gypsum benches. On one side was a gypsum throne and on the other a sunken room which Evans called a ‘Lustral Basin’. Over the course of the next four years, most of the ten-acre site had been excavated— although work would continue off and on until 1930.

The site proved to have been continuously occupied from the Neolithic Period (c. 7000 BC) until its destruction in the 13th century BC nearly six thousand years later. Evans was struck by the apparent absence of fortifications around the site and took this as confirmation of the ‘Thalassocracy of Minos’ described by Thucydides. As the product of the Victorian Age and the Pax Britannia, he found it easy to identify with a civilization whose power apparently dervied from control of the sea-lanes and the trade that flowed along them.

Restored Portico

His results and methods have come under criticism since his death in 1941. In part this is due to the standards of his day. He and his assistant, Duncan Mackenzie, had to personally supervise anywhere from 50 to 180 men and obviously could not be everywhere at once. Under the circumstances, it is hardly surprising that there has been some controversy over the recording and interpretation of the evidence. Normally, any questions raised subsequently can be cleared up by further excavations. Unfortunately, this has been effectively precluded by the
major restorations undertaken by Evans on what was, after all, his property. Many of these can be justified in the name of conservation—the throne room and its frescoes would have suffered irreparable damage if left exposed. Structural elements, such as the columns that support the Grand Staircase, had been made of wood that had long since rotted away. They were replaced by cement versions. However, Evans went well beyond this and restored many elements that had not survived—the layout of the upper storeys of the East and West wings, for example.

Altogether, Evans' restorations provide a very rewarding experience for most visitors, giving them a much more vivid impression of what the site must have looked like in its heyday than its ‘bare bones’ would have presented. However, it is also true that they have largely precluded further excavation of the palace using more modern methods to recover information that would have escaped Evans and to resolve problems in interpretation. Nevertheless, he remains a true giant in his field and will be forever famous as the man who brought the Minoans and the glories of their unique civilization to light.

 

 

 

 

 

 

 

 

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