Introduction: The Minotaur
  Arthur Evans & the Excavation of Knossos
  The Palace
 
West Wing: Central Staircase & Cult Rooms
West Magazines
Piano Nobile and Propylaeum
Grand Staircase & Hall of the Double Axes
Queen's Apartments
Shrine of the Double Axes
Industrial Quarter
North Wing
Theatral Area & Royal Road

Eastern Apartments

The Queen’s Apartments

A dog-legged passage led from the Hall of the Double Axes to a smaller version that Evans dubbed the Queen’s Megaron. In this case, instead of a series of doors, the hall was sub-divided by a low stylobate about 38 cm high, supporting a pair of pillars. On top of the gypsum blocks that made up the stylobate, Evans found carbonized wood with a coating of plaster leading him to believe that it was used as a bench, one whose height he believed was designed to accommodate women rather than men. At the north end of the bench is a doorway, linking the room to a sort of portico with a light-well beyond.

Queen's Megaron looking towards the light well and with private staircase to the left

 

Fresco fragments depicting a woman with long, wavy tresses were found in the light-well. Her hair hangs rather limply down to her neck but then seem to fly out from her shoulders. Evans thought she was spinning around as she danced but the attitude of the rest of her body does not seem to support this. It may well be that she is a goddess, descending from heaven, a scene that is often depicted on seals. The size and scale of the figure suggested to Evans that it belonged on the side panel of one of the pillars. He also found fragments of two swimming dolphins, restored versions of which he placed over the door on the north side of the room. However, many scholars now believe they originally decorated the floor of the room above.

 

Queen's Megaron: Reconstruction

At the north end of the hall was a balustrade, separating it from a small bathroom. The balustrade actually turns inwards next to the door and it was there that Evans found a painted clay tub that enabled him to identify the function of the room. The walls were lined with gypsum and the floor was paved with the same material—not the ideal waterproofing.

There was a corridor next to the bathroom door that led to what Evans described as a “toilette” and which he named the Room of the Plaster Couch because of the oblong plaster dais found in the southwest corner. A narrow closet projects from the east wall of this room, which contains what Evans believed was a latrine. There were grooves in the wall to hold a wooden seat about 57 cm above the floor. An opening beneath the seat connected by means of a vented drain to the main sewage system for this part of the palace. This consisted of a cement-lined

conduit about 78 cm high and 38 cm across that ran in a circuit around domestic quarter, from a high point by the Grand Staircase. Shafts in a block of masonry next to the Room of the Plaster Couch fed effluent from the upper floors. (Plan of Drains)

Illumination in this part of the wing was provided by a small light-well, known as the Court of the Distaffs from the symbols carved on its walls. From the northeast corner of the Room of the Plaster Couch, a corridor led to another private staircase leading to the upper chambers before ending up in the Hall of the Colonnades once again.


 

 

 

 

 

 

 

 

 

 

Intinerary

 

 

 

 

 

 

 

 

 

Plan of the East Wing

 

 

 

 

 

 

 

 

 

 

 

 

 

Plan

Plan of the Residential Quarters

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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