Introduction: The Minotaur
  Arthur Evans & the Excavation of Knossos
  The Palace
 
West Wing: Central Staircase & Cult Rooms
West Magazines
Piano Nobile and Propylaeum
Grand Staircase & Hall of the Double Axes
Queen's Apartments
Shrine of the Double Axes
Industrial Quarter
North Wing
Theatral Area & Royal Road

Eastern Apartments

Grand Staircase

The ground slopes away rather quickly on the eastern side of the site and the builders had to cut away part of the side of the hill to to accommodate the buildings. Most of what survives is actually one or two floors below the level of the Central Court. How high the buildings rose above the the court is unknown but it is clear from Evans excavations that there must have been at least one storey.

Grand Staircase and Light Well

The Grand Staircase is located at about the middle of the east side of the Central Court and presumably was entered from it (although no trace of an opening has survived). There were at least five flights of broad, gypsum stairs, the lowest two resting on solid earth and the others on wooden beams supported by wooden columns. There was a light-well immediately adjacent on the east, which opened onto a lobby, the Hall of the Colonnades, on each of the lower floors. The walls were decorated with painted murals including bands of running spirals—superimposed by full-sized replicas of the characteristic Minoan ‘figure eight’ shields in the case of the upper hall. As well as practical weapons of war, such shields were evidently powerful religious symbols representing the Young God.

Grand Staircase showing the settings for the columns

 

From the lower landing, the Lower East-West Corridor leads to what Evans believed were the Domestic Apartments of the palace. These consisted of two suites, the Hall of the Double Axes and the Queen's Hall, spread over at least two storeys and linked by a series of corridors and stairways. They were equipped with light-wells and polythyra to open up or close down the rooms.

 

 

Left: Light Well and Grand Staircase

The Hall of the Double Axes

The Hall of the Double Axes got its name from the crude axe symbols (labrys) carved on the walls of the light-well at the west end. The rest of the suite consists of a large rectangular room, sub-divided by a polythyron with four doors, and a portico which overlooked the valley of the Kairatos to the east. The layout is quite distinctive and occurs at the other palace sites as well. Evans suggested that this arrangement suited the residential needs of the king and queen, since there was normally a very similar but smaller suite nearby. However, his interpretation is largely based on the fact that he could find no alternatives elsewhere in the palace. Clearly the rulers had to sleep somewhere but would they really want quarters that were so open to the elements and lacking in privacy. So contemporary opinion has it that they were used for ritual purposes, something that involved moving between
total darkness and the light through the use of the multiple doors. Rites of passage such as these are a common part of initiation ceremonies in many cultures and sensory deprivation is a common technique.
 

Hall of the Double Axes showing the remains of a wooden throne against the north wall

In the western part of the main room, or Audience Chamber as Evans called it, he found a mass of lime heaped against the north wall. Preserved in lime was the cast of a large wooden object along with those of a pair of fluted columns, one on each side. Presumably they represented the remains of a wooden throne— the outline of the lower part of the seat survives— and a canopy. The room was divided into two, roughly equal, halves by a quadruple polythyron. Evans believed that there may well have been transom windows above each door and that is how he restored them but there is no clear evidence to support this assumption.

The walls were decorated with a band of rosettes and running spirals, similar to that found in the Hall of the Colonnades but without the shields. In Evans’ opinion that was because actual shields were hung in their place. To the south and east were other polythyra that opened onto and L-shaped portico and a small courtyard (below), also L-shaped. The courtyard was enclosed by walls on the southern and eastern sides with a doorway in the southwest corner connecting it to the Queen’s Megaron and another near the northwest corner giving access to a stairway that descends to the Eastern Terraces.

 

Hall of the Double Axes: Portico

 

 

 

 

 

 

 

 

 

 

 

Intinerary

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Plan of the East Wing

 

 

 

 

 

 

 

 

 

 

 

Plan

Plan of the Residential Quarters

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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